Based on the trend of self-optimization, around a solarium, two narratives of a human and a goat are shown in two channels. One physical and the other in an artificially created environment, the protagonists approach each other through supposedly corresponding movements that enable breakthroughs between the worlds and highlight their parallels.

In YOU ARE GOING TO TAKE A BATH IN GOOD LUCK, a physicality is negotiated that is both artificial and vulnerable, demanding a multidimensional self-understanding from the audience. In times of loneliness, healing processes and exhaustion, the work confronts the theme of invalidation with an abstract absurd solution.