The work HOT HUT HIKE presented four American football players repeatedly colliding in a white, aseptic room, separating the movements and commands from the actual reality of their sport. The movements of the player, power and strength, and the question of masculinity are brought to the fore and give rise to sculptural forms and images that the viewer can observe from a grandstand as a performance, later assembled in a video installation. Commands and sporting rituals are emptied and assembled into a new choreography