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NO MIND NO MATTER
collaboratory exhibition
Exhibition: Kunstarkaden Munich 25.6.2024 - 27.07.2024
Artists: Justin Urbach, Tatjana Vall, Johannes Kiel
The collaboratory exhibition NO MIND NO MATTER explored aspects of self perception through a partly perceivable communication network between works that mimic, echoe and activate each other.
The works were developed by interpreting the foundational material to highlight its consistency and agency. This approach seeks to provoke a heightened awareness in visitors of their own distinctive, imperfect corporeality, while simultaneously drawing attention to the intertwined temporalities—past, present, and future—of physical existence.
text by: Malene Hagen
concept for: Kunstarkaden München
photos: Dirk Tacke
Subtle Echoes I & II & III, 2024
Multi-Media Installation
3x pixel laser engraved monitors
beamer projection, 4K, 16:9, 9:16, Minutes: 6.50, loop, color
100 x 60 x 10
A picture-in-picture video projection on three monitors, laser-engraved with calibration systems and laboratory equipment, reveals intriguing glimpses into the technological interiors of “Opaque (echoes of the frontier) I & II”. Harnessing hyperspectral imaging technologies, these video displays unveil a motion recording of the production process behind the data relics designed for smart devices. The showcased 3D printing process highlights the use of stainless steel powder as a novel material. Data is stored within these printed metal objects, accessible exclusively through infrared and hyperspectral imaging systems displayed on the monitors. Encapsulated within are drawings and assemblies of retina chips, engineered not only to restore vision to blind people but also to implant infrared radiation capability into ocular functions of the human eye. Another monitor provides a voyeuristic view of the laboratory setup captured through the lens of a slow-motion camera, underscoring the cold aesthetics of this mechanized environment. A collage assembles deformed scientific drawings derived from wireframes, hinting at the functional elements of the technical systems used.
Research and 3D metal printing process at BAM Berlin in collaboration with Philip Peter Breeze
Investigating the physical cryptography embedded within technoheritage, Urbach’s work features pairs of 3D stainless steel printed calibration objects as data relics originating from a manifold of (digital) future-pasts yet-to-come. These artefacts – printed at "Bundesanstalt für Materialforschung Berlin“ in collaboration with Phillip Peter Breese and Janik Valler – contain concealed information, nested and preserved within their techno-shells. Access to this information requires the use of specific technical systems. As part of “Subtle Echoes”, the monitors serve as proof of works for these metal objects, revealing glimpses into their cryptic interiors.
Justin Urbach & Tatjana Vall
Empty Shell(deep sea transmission), 2024
8-Channel Video Wall, Aquarium with Streamers, Laptop, Watercolor paper with Laser Engraving Video Live Stream of the Nautilus Ocean Exploration
200 x 400 x 1,5m
In this collaboration between Vall and Urbach, a gridded assemblage of recycled TV screens opens a window to a live-streamed ocean exploration conducted by the “Nautilus Exploration Program”. Through live video and data feeds, you remotely experience the perspective of Nautilus, a robotic exploration vessel, exposing new vistas of yet unsurveyed and yet unmapped seafloors. The rear side of the installation – consisting of visible cables, a connected computer, an engraved technical drawing, a blue laser beam, and a waterless aquarium without filters – alludes to the perceived presence of underwater cables, integrally serving as part of the hidden infrastructure in our globalized world since the 19th century.
more infos: https://nautiluslive.org
NEMO (an odyssey through hidden realms), 2024
Laser engraving, Fabriano watercolor paper, steel case from recycled TV Monitors 60 x 50 x 10
Justin Urbach & Johannes Kiel
Chromatic Depth, 2024
Monitor, PLA/PTG modular system, computer, infrared sensors, concrete slab, micro controller, stainless steel rods
300 x 60 x 160
In this collaboration between Kiel and Urbach, you, the perceiving subject, embody an enhanced visual perspective through hyperspectral imaging technology. You mimic a camera lens in the focusing mechanism, calibrating the optimal distance to expose a refined infrared view of a figure strolling through a corridor. By tracking the visitor’s position relative to the vertical screen gliding on a track, the optimal sweet spot for a sharp view is co-produced through an inverted object-subject relation. Real-time rendering dynamically oscillates between sharp and blurred imagery, syncing with the figure’s movements to sculpt the visual depth and color palette. The monitor’s movement along the track mirrors the figure’s motion, responding to heat data captured and transmitted from the recorded environment.